Thursday, September 26, 2024

Film Review: Bad Newz

 

First things first, Dharma Productions is the producer of this movie. How do we know that? From the endless plugs of ghosts of movies-we-hope-you-will-remember-but-nope-you-don't. 

The writers are Tarun Dudeja and Ishita Moitra. They deserve a special award for having the highest number of missed opportunities of humour in a script. 

What I loved about the film is the plot. One will not even blink at a plot about two women who are dependent on the same man because he is the father of both their children. But a woman is having step-fraternal twins - from two different fathers. What's more? The prospective fathers agree to a paternity test AND don't bat an eyelid when they are told the results. 

This could so easily have been a moral science story with a serious lecture in place. The woman sermonising about the general ills of society for women. But it was crafted as a funny script, where the protagonist is an ambitious chef. The situations that lead to the... situation.. appear natural, not forced. 

Tripti Dimri is a good actress. The revelation in the film was that Vicky Kaushal is not just a versatile actor, he also has amazing screen presence. In a character that has probably been played ad nauseum, and for Dilliwallas, is not a character at all, he manages to create something that one continues to want to see. Any comparisons with Ranvir Singh are not fair - for the simple reason that this character is a little more nuanced. The empty bravado that was integral to Ranvir's character is totally missing here.  He is GOAT but also attached to mom and vulnerable and scared of not having his phone on him. 

Amy Virk is a surprise. The casting of Amy Virk is perfect-o. This character needed his calm presence. While both screen time and range for his character are limited compared to Vicky's character, he manages to make his presence felt.  

The storytelling is interesting. In the sense that the situational comedy does not all fall flat. It remains light-hearted, and most importantly, is able to avoid the irritating slapstick flavour that one has come to expect from Bollywood films. Where it does not amuse, it at least does not irritate. 

The cinematography is good, but is more than ably aided by the fantastic locations. The music score did not really lead to humming once the movie was over. The background score made its presence felt in the right way at some places. 

Final feeling? I was amused for the most part. Some chuckles were drawn and once, laughter also happened. Can this trio deliver another comedy? Maybe. But it will be a lot of hard work. 


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