Friday, August 26, 2022

त्रिवेणी /Triveni

कुछ किताबें खरीदी ही जाती हैं 

अलमारी में सजा कर, सबको दिखाने भर के लिए 


Trophy वाइफ, IAS पति

************* 

Some books are bought to be displayed 

and never read. 


Trophy wife. Millionaire husband. 

*********** 

ਕੂਜ ਕਿਤਾਬਾਂ ਬੰਦਾ ਲੈਂਦਾ ਹੀ ਇਹ ਸੋਚ ਕੇ ਹੈ 

ਕੇ ਅਲਮਾਰੀ ਵਿੱਚ ਡਾਡੀ ਸੋਹਣੀ ਲਗੂਗੀ 


ਗੋਰੀ ਚਿਟੱਟੀ  ਵੋਹਤੀ, ਨਮਬਰਦਾਰ ਖਸਮ 

Kujj kitabaan bandaa lainda hee eh soch ke hai 

Ke almari vich DaaDi sohni lagugi... 


Gori Chitti Vohti, Numberdaar Khasam 

   *********** 


Wednesday, August 24, 2022

This day in history

This day in history 

someone got married

Someone lost a loved one

Someone got through school 

and Someone graduated. 

The collective weight

of human hopes,

lay as heavily on this day 

as the day before

and the day after. 


Peel the greasepaint of  headlines, darling

and then show me

what happened this day 

in history. 


Sunday, August 21, 2022

Movie Review: Rakshabandhan

The Post Review: That must come first 

7 hours after watching this film, I am still thinking of it, and just realised two very important things: 

A. In the time I was watching the film, at least 2 women died - like, really died, for the same issue that the movie was trying to educate me on. 

B. If I wasn't professionally qualified, my parents would have paid dowry for me. Its personal. I could have been the sister who died, or one of the 10 women who file a complaint of domestic violence or dowry for the 1 who dies, or the 100 who "adjust" and don't file a complaint. Instead, they raise kids who grow up watching father being abusive to mother, dadi comparing gifts from the two daughters in law. All of that. That "happily married mother" could have been me. 

The Pre-Review: Why I went at all 

Logically speaking, I went for Anand L Rai and Akshay Kumar - professionals whose earlier work I have liked. 

But the honest truth is that since watching the trailer, I knew I was going to watch this movie - reasons unknown. It was just one of those things that would happen. That happens to me very rarely, but when it does, there is no point resisting the mandate. One just does what one is told to do. 

Given that everything today gets political, didn't even bother checking with friends before booking the ticket. Chose a small theater with limited seating and just booked. 

********** 

This movie was a huge revelation for me. I have always believed that Akshay Kumar has a certain honesty in his heart that shines through his work - irrespective of the character he is playing. 

You know those nagging questions in your head that are neither important nor urgent but gnaw at you nonetheless? This was one of those. One usually likes an actor for his own work, but in this case, I knew there was something more, and couldn't place it. Watching Akshay Kumar on screen filled a huge hole in my heart, but I didn't know what that hole was called. 

Within the first three minutes of the movie, I knew why i was mandated to come watch this film. Here is the answer: 








Akshay Kumar fills a Balraj Sahni shaped hole on the screen (and in the heart.) 

Those who know me will now that I have missed Balraj Sahni's presence on screen very, very much.

Akshay Kumar brings the same honesty, the same integrity, and the same magic to his screen presence.
While writing this review, I saw the first few minutes of Waqt once again, and almost cried for joy. 

On to the review  

The most downloaded image from my blog is this: 

This is a graph that shows the number of dowry deaths reported in India - every year from 2011-2016. 
This graph tells you that India loses one young woman to dowry every hour, and has consistently done so for over 2 decades at least. And these are just the reported numbers. The dotted line is the trend line. 

You will read the same statistic in a post script at the end of the movie - I am just putting it out there so you don't miss the post script. This post script is the most important part of the film. Just in case you watch the movie and go, "Are, aisa thodi hota hai?" Exactly aisa hi hota hai. Exactly. Aisa. Hi. 

And now we come to the less important parts of the film. 

There is only one Punjabi dialogue in the film - "Ai enni jehi gall hai?" And THAT is how Punjabi should be spoken.  Had he messed up that dialogue's delivery, I likely would not have forgiven the lapse. That is one of the most important dialogues in the film. After this dialogue, he goes on to provide a guidebook style warning to the majnus of the area. Through that and another sequence, we see a character that does not fight a system because part of him believes in it, even if the only role he gets to play in that play is the rock under the elephant's foot. 

Also the gesture of going back to hit boys who do eve teasing. You will find it hard to believe, but once upon a time, that was the truth of Delhi. If you tried to whistle at a girl in public, you would be physically beaten - first by the girl (hence the Punjabi phrase - Kadaan sandal?), and then by bystanders. You could not do it. Period. 

This movie teaches you the importance of a leading cast and how they can literally carry a film on their shoulders alone. This leading cast has done that, though the ensemble cast is made up of good actors too. 

What comes up short is the development of the characters of the ensemble cast - all the 3 sisters appear as guest appearances only. We can describe them in 1-2 words, instead of the complex characters that each of them is likely to be. And for that, the credit must go squarely to the writer - Himanshu Sharma, and the director, Anand L Rai - their previous work also has not capitalised on the layering provided by ensemble cast in story telling. 

What shines through is the honesty in story telling. What you think is extreme becomes even more sad as you realise that not only is this not extreme, but that, in many, many families, and not necessarily in Chandni Chowk, this is de rigueur, this is matter of course.  

The end might appear hurried to some reviewers, but to me, I think, it was just rightly paced - The sisters finding their place under the sun. 

I wish I could change just one thing in the story - if Sapna and Kedar had married earlier in the film, it would have given us richer story telling, as Sapna's character would have navigated the challenges of the story alongside Kedar, and not from the sidelines. And, I would have liked to see the rubbishing of a promise that itself is steeped in regression. A promise like that deserves to be broken. Especially after his realisation. 

On the technical side, the film does well on sound, background score, lighting, costumes, editing, and art direction. It could have done better on screenplay. 
The camera work was adequate, but given that the movie had a playground like Chandni Chowk, am not sure it did the best it could. 

Special thanks to the makers for not subjecting us to dream sequence song and dance routines, cliched meet-cutes for each of the 3 sisters, random festival songs just because it's Chandni Chowk, useless subplots with miniscule politically correct messages, and other predictable stuff that routinely finds its way into films and every single time insults the intelligence of the audience and wastes their time. 

In the OST (Original Sound Track, for those born after the 1990s): Tere Saath Hoon Main and Bidaai stand out. There are no hummable songs, but that, methinks, is the general trend with movies these days. (Coincidentally, no one plays Antakshari any more, everyone only goes to India's Super Singer or some such, so there is no need for hummable songs either, no?) 

Endnote

I am glad I went. Will gladly go again. 













Saturday, August 20, 2022

Sab Dhyaan Hai

बहुधा भारतीय दर्शनशास्त्र में माया को मोह का, दुख का आधार बताया जाता है। उसे मोक्ष के पथ में अवरोध के रूप में दर्शाया जाता है। किन्तु यदि वह इतनी ही अवांछनीय है, तो इतनी सर्वव्यापी क्यूँ है? यदि सर्वव्यापी है, तो उसका कोई उद्देश्य भी होगा? उद्देश्य है, तो उसे मनुष्य की आध्यात्मिक यात्रा में अपना स्थान आदरसहित मिलना चाहिए! 

यह कविता आज की meditation के बाद स्वत: ही प्रकट हो गई। बहुत समय से इच्छा थी, कि भारत की प्रसिद्ध प्रश्नोत्तर शैली में कुछ लिख पाऊँ। आज वह इच्छा कुछ कुछ पूरी हुई। आभार। 

(संस्कृत काव्य में प्रश्नोत्तर विधा का प्राय: उपयोग किया जाता था। वहीं से इच्छा जागृत हुई।) 



 "तेरी माया अपरंपार है, 

सब ध्यान है, सब ध्यान है 

माया ठगे बन मोहिनी 

नवरस दिखाए सोहिनी 

किन्तु ये सब व्यापार है 

सब ध्यान है, सब ध्यान है" 


ऐसा थे कहते संत जी 

जिनकी थी धूम मस्त जी 

"सब ध्यान है, सब ध्यान है!" 


टकरा उन्हें एक मसखरा 

बिना माथा टेके खड़ा मिला 

भक्तों की बढ़ती भीड़ ने 

डांटा, पर वह भी ना टला 

गुरु जी ने दी उसे दीक्षा, 

"सब ध्यान है, सब ध्यान है" 


"सब ध्यान है तो हे प्रभु 

जग पालते क्यूँ विष्णु? 

क्यूँ माया मन को मोहती? 

किस प्रारब्ध को जोहती?

ये किस विधि का विधान है, 

कि माया अपरंपार है? "


"माया तो बच्चा मार्ग है 

मोक्ष की जड़ त्याग है"


"क्यूँ मोक्ष पाने को जुटा, 

संसार सारा ही कुटा? 

इतने विविध संसार में 

क्या एक गंतव्य मात्र है?

सब ध्यान है, सब ध्यान है?" 


सब शांत हैं, सब मौन हैं 

जग का प्रयोजन गौण है? 

क्यूँ मोक्ष मात्र लक्ष्य बना? 

क्यूँ पथ भी न उत्तम लगा? 


पथ की प्रतिष्ठा है बड़ी 

यश उसका भी गाए कोई 

माया न केवल मोहिनी 

उसका भी अपना स्थान है 

कुछ भोग है, कुछ ध्यान है। 


This piece came on its own after my meditation today 

Rough translation 

Dhyaan means Meditation. 


"Meditation is all, Meditation is all, 

Thus spake the Great Saint. 

The world calls to us 

in a thousand siren songs 

But we must not deviate 

From the path of the Eternal. 

Meditation is all, meditation is all" 


One day, a vagabond

found his way to the Agent of God 

The surging crowds bid him to bow

But budging he was not now. 


"If all is dhyaan, O Great One, 

Why does the Great Vishnnu 

sustain the world, and 

everything in it?"


"The world and 

all things in it

are but routes to the 

Eternal Truth 

Meditation is the only way 

To meet The Eternal God.

Meditation is all. Meditation is all." 


"How, dear Great One 

Can a world so vivid and varied

Have a single destination 

for every soul? 

If Maya (the world) is our path 

Why should we belittle the path? 

The path has its own importance 

And to some, 

the milestones of the path 

are destinations too. 

Let us celebrate the path 

As we celebrate the Destination." 

Wednesday, August 10, 2022

Bachche

उस दिन तुमने ला कर दी थी, मुझको धूप जो थोड़ी सी, 

उसको बोया, फसल उगी है, क्यारी क्यारी धूप सजी है 


अब झाड़फानूस बनने का समय आएगा।  

*************

The little drop of sunshine 

you got for me that day 

I sowed it, it has blossomed 

Now, light dances on every flower bed 


Now, the plants will be converted to chandeliers. 

************** 


Triveni

एक कहानी सुना कर हमको सुलाया था 

मीठी लोरी गा कर वरगलाया था 


75 साल हुए, आँख खुलती ही नहीं। 

त्रिवेणी Triveni

आकर मिलना, मिल कर जाना, 
जाता नहीं, जाकर आता.. 

ये कहने वाले कहाँ रहे, 
अब अपने छोटे शहरों में? 

On boycotting a film

It is very easy to say that a boycott is hurting a movie. But Bollywood has given 3 hits in 2 years. Were all those films affected by trolls? Is any amount of introspection in order? As many people have said, trolls cannot keep a good film down. So, maybe, instead of blaming everyone else, people could pay attention to the quality of their work? Has even a single Bollywood person come out and said, "Audience have been rejecting us for 2 years. Maybe we should sit and think about what we are doing wrong in our story telling, our execution?"

Very easy to sit and blame the audience for "not appreciating how much hard work goes into making a film."

Salman Khan answered that beautifully once. His quote - "Director ne bola public ko picture samajh hi nahi aayi. Arre tumko public nahi samajh aayi."

The last movie I saw in theater was Samrat Prithviraj. The storytelling was very different from what I expected from that director. But when the film bombed, at least he said, "If you do not like my version of the story, discuss with me, tell me what your view is. I want to listen." Contrast that with "People don't understand the hard work." 

We are not supposed to understand your hard work and pay you for that. We are supposed to get entertained and pay you for that. Where is the confusion? 

There are 2 movies being released now. Only Aamir Khan has gone to town like a cry baby. Akshay Kumar (Rakshabandhan) has put his head down and let his work do the talking. This might be that actor's third flop within the last 6 months, but he has not become a drama king even once. His promotion of the films has been dignified, and focused on the work.

For Bollywood, the tide will turn once they start making good cinema. And, after we have given justice to Sushant Singh Rajput. And, PVR stops charging the rate of gold for pop corn. 

Until then, cry on! No one is coming to the theaters. 

Saturday, August 06, 2022

On private University Admissions

 The way private universities approach you for admissions once you have submitted an enquiry at even one site.. reminds one of the mini bus conductors of Delhi in the 1980s... Aa jao Law vaale, aa jao engineering vaale, Aa jao BBA, BBA, BBA..

Image from the internet


Wednesday, August 03, 2022

On the account of love

 मेरी माँ 

हर माँ जैसी थीं 

प्रेम देने में उत्तम 

पाने में अक्षम 


मेरे पिता 

हर पिता जैसे थे 

प्रेम पाने में उत्तम 

देने में 

अक्षम 


उनकी जोड़ी 

परफेक्ट थी। 

Lets talk about the exchange of affection. 

All relationships are based on an exchange of energy. 

In a family, that exchange is love and affection. 

Yet, in families, we pay so little attention to how much we are giving, and how much we are getting. 

Love is not a current account. It does not need to be balanced on a day to day basis. 

But it needs to be balanced. 

In most couples, I find that one partner considers it their entitlement to be loved and fussed over, while the emotional needs of another partner are ignored as a matter of course. It is considered weird to even focus on the mental health of the giving partner, while the emotional (and other needs) of the earning partner are paramount. 

This imbalance in energy exchange is not sustainable, but it can only be addressed if we talk about this silent emotional starvation of one partner and the entitlement of the other partner. 


कतरनें/ Katranein

You are a complex person. 

From the inside, all the pieces of the Rubik's cube are the same colour. So its very simple. People make it complex by pasting those stickers on top. 

Seeing people without stickers is very easy. What is tough is the willingness to see a person as they are. Remember that the cube never pastes any stickers. The users do. 

My mother paints me white, so I may always be calm. 

Love paints me red, so the passion never runs out. 

The children paint green, because in my shade they breathe. 

Friends paint me yellow, for the laughter and the joys. 

Colleagues paint blue, so everything is professional and straightjacketed. 

It is always the user who pastes the stickers, never the cube. Remove the stickers, and there is no puzzle, no complexity, no challenge. 


The irreverent child takes the pieces apart, discards the pieces, and realises that there aren't 6 sides, only one core. The small pieces are all pasted on. 


Tuesday, August 02, 2022

Book Review: The Magicians of Mazda

 


Just my luck that I had to review this book right after reading about the mysterious deaths of India's nuclear scientists. 

For starters, this is not an easy book to read. If you are sensitive (like I am), you will have to put the book down multiple times to stop reading about the atrocities faced by the Zoroastrian people. While I studied at Parsi High School and lived close to the Parsi Compound, had excellent Parsi teachers, and we knew a little bit about their having fled Iran because of religious persecution, the extent of that persecution was not known to us at all. 

We always knew the Parsis to be a lovely, jovial, happy people, welcoming in their homes but not in their fire temples or their religion. That their history is streaked in red, we had no idea. 

This book is a mini encyclopedia of  2 separate topics, but one is more important than the other - Parsi history (and I mean, H-I-S-T-O-R-Y going as far back as the origin of the religion, and even before that), and the modern geopolitical situation in India-Pak-Afghan-Iran lands. 

The 2 stories come together rather effortlessly, and end with a rather shocking hypothesis, which slowly becomes more and more credible. (Won't spoil it for you) 

If you are looking for a book that is a mental gym, intellectually engaging and challenging, opening the mind to something totally unprecedented with a rather loud "Pop" sound, this book is totally for you. 

If history is not your thing, please avoid. This is really a mini-encyclopedia that covers such interesting ground.